That Floating Poo Was Way Too Symbolic! It's the TV Disappointments of the Past Year.

Looking back, we consider the television offerings of the past year, a handful of series emerge not for their excellence, but for their notable shortcomings. Ranging from awkward sequels to confusingly bad docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Plagued with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to justify its existence. Briefly, as the final season began, it looked like it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final series. It ended on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Yet, fans certainly found joy picking apart every single “wtf?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this drama's problems. The recipient of a very rare no-star review, it was difficult to know where to start listing the flaws. The laughably leaden writing? The tedious glorification of affluence and materialism? The seemingly wilful procession of cliches? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and forget about this series again. Except, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing dialects. But there were many other problems. Primarily that it was just really dull; a conflict over narcotics territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into quaint lifestyle as deliberate statements. But then you watch them and are compelled to admit that actually, they may have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this three-part series chose not to explore them. Instead, the viewing was like reading a sales brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was horrific imagery and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.

Kurt Leon
Kurt Leon

A tech enthusiast and indie game developer passionate about sharing knowledge and fostering creativity in digital spaces.